History Lesson on Nail Polish

Curiosity is a compelling thing. Einstein claimed he was not a genius, just exceptionally curious. I like to think I'm exceptionally curious. I wonder about the mundane, the elegant, the downright bizarre. How did the delightfully petite macarons come about? Where did the word 'serendipity' come from? However, I am certainly no genius.

Yet, here I am, another curiosity, another question: Who decided that it was aesthetically pleasing to paint a glossy coat of varnish on one's nails?

Thus, here we are: nail polish, a brief history. 

Babylonia, 3200 B.C.: a treasure trove for historians, anthropologists, archaeologists, and now beauty enthusiasts. Manicures made from kohl were first spotted in ancient royal tombs, worn by males in colors with accordance to social class. 

Around the same time, the Chinese also used nail color as a sense of self-expression and class definition. Their methods of coloring the nails were quite different than ours of today; they used egg whites, beeswax, Arabic gum and flower petals to soak their nails for hours to get the desired hue. 

The ancient Egyptians, too, were advocates of nail color, staining them with henna. Lore has it that Nefertiti and Cleopatra wore shades of red, which is only fitting. 

Jump forward to 1920, France. Michelle Menard adapted the enamel used to paint cars to a less high-tech and permanent version for nails, which was popular among flappers. Menard came to America, where she perfected her formula, which became part of a company later called Revlon. 

Thanks to Technicolor television and the immense popularity of glamorous actresses like Bette Davis (left), nail polish became an essential in the realm of high fashion. To no surprise, red was the most in vogue, as popularized by Rita Hayworth (right). 

In 1976, the French manicure debuted on the runways in Paris and was an immediate hit. The market begged for a more versatile style, and the natural look fit the bill. 

In the '70s, '80s and '90s, black nail polish was popular among the rock and punk band set, evoking their gritty style and music. 

Today, it seems anything goes. Ombre, color blocking, glitter, caviar. Nail art mimics the trends of the runway. There are dozens of blogs and websites dedicated to decking out nails. You've no doubt seen the "signature" nail art pose: a freshly painted manicure energetically gripping the new color's bottle. You can go high or low, O.P.I or Deborah Lippman, China Glaze or Dior. 

As a female, getting or giving oneself a manicure is a rite of passage. Painted nails can be seen on a three year old or an 80 year old, the effect is the same. Think about it: how many times have your nails been painted in your life?

Sources: Illustrated polish, Chinese, Egyptian, Bette Davis, Rita Hayworth, Dior

Kate Spade Meets Pop Art

How happy I was to see that Kate Spade's theme for the month of January was "a pop of color," kicking off their overarching 2013 mantra of "things we love." I'm all about Kate Spade and all about color, so those two things alone were enough to get my heart racing. But what's more is that yet again, Deborah Lloyd, Brad Goreski and crew continue to amaze.

They take the idea of "pop" to a deeper cultural level, not only using the word to express the bold use of color, but to reference American pop art.

Pop art, short for–you guessed it– "popular art," was dominant in the United States in the 1960s. Subject matter featured primarily common household products and other products of mass consumption (example: Andy Warhol's Campbell's soup can). The overall movement was about creating art by using objects that were recognizable to the masses and through commercial techniques like silk-screening. These tactics of familiarity bluntly rejected the historical and classical subjects of traditional art.

The most particular influence in a number of accessories comes from Roy Lichtenstein, an American pop artist who lived from 1923-1997. His most recognizable works are his paintings that resemble comic strips from newspapers. Both his subject matter and technique mimic the iconic comic style: he creates cartoon-like figures and characters, uses a basic color palette and constructs his pictures from Ben-Day dots. 

His use of found, mass-produced subjects serves to make a bold statement to and about society. Ideas and methods that were downright taboo in previous art circles were accepted and exhibited in the finest of galleries. He managed to bring a newfound youthful and ironic feel to the art world by introducing commercial sources as fine art,  perhaps to say that we need not take ourselves too seriously.

Which brings us, full circle, back to Kate Spade, where "crisp color, graphic prints and playful sophistication are hallmarks." Surely our pal Roy would approve, right?

Sources: Kate Spade New York Instagram, The Chicago Tribune

Products: All Kate Spade New York: Pop Gia, Chad Bon Shopper, ! Tee, Lenticular iPhone 5 case, Comic Davie, Claudette Dress, Taxi! Key fob, Pop! Silk Scarf

The Carrie Bradshaw Tulle Skirt

When I think of a tulle skirt, a number of things comes to mind. Whimsical ballerinas en pointe to Tchaikovsky, giddy toddlers at a costume party, horrifyingly tacky cotton-candy colored prom dresses, and Carrie Bradshaw. As a former ballerina (very former, meaning kindergarten through fifth grade), wedding dress lover (Vera, Reem Acra, Amsale, Christos...) and overall connoisseur of anything rather feminine, I love the fabric, if done right. Like most things in this world, it has its wonderful moments, it has its terrifying moments (see prom dresses above). 

Let's consider the most culturally and fashionably relevant at the moment. Miss Bradshaw, an icon in her own right (although, purely fictional), donned a creamy and layered tulle skirt in Sex and the City's opening credits. If you're a regular watcher of SATC or flip to E! more than once a week, you've no doubt seen the classic scene: Carrie smugly sauntering the streets of NYC, only to be splashed by a passing bus with an advertisement of her column and picture on it. In my mind, and I hope in yours, the skirt is synonymous with her name and character. For such an iconic look, the story on how the skirt was discovered is quite diamond-in-the-rough. 

Patricia Field served as Sex and the City's costume designer for all six seasons and both movies, earning her two Emmy awards in costuming. While searching for outfits for the opening, Field found a tulle tutu in a bargain bin on the floor. On a whim, she bought it for $5. SJP, unsurprisingly, loved it, but it took some convincing to get the show's producer on board. Such a leap of courage certainly paid off, and continued to carry Bradshaw's style to the forefront of trends throughout the show's seasons. 

Perhaps taking a cue from Carrie, but more likely perhaps not, recent runway shows, too, display the ever-ethereal and statement-making tulle skirt. Starting on the left: Christian Siriano RTW spring 2012, Oscar de la Renta RTW spring 2013, and Tory Burch RTW spring 2013. Of course, tulle skirts will forever be a favorite at houses like Marchesa, Reem Acra and Vera Wang. 

On a more wearable, daytime scale, fashion bloggers have created their own perspective on the tulle skirt. Starting on the left: Jane Aldridge from Sea of Shoes, an unknown (yet well-dressed) blonde, and Blair Eadie of Atlantic-Pacfic. 

Even with Carrie Bradshaw and Patricia Field paving the way, would you wear a tulle skirt for a daytime look?

Sources: Carrie Bradshaw in cream, Carrie Bradshaw in green; Christian Siriano by George Chinsee, Oscar de la Renta by Giovanni Giannoni, Tory Burch by Robert Mitra; Sea of Shoes, Grey Tulle, Atlantic-Pacific